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A man working a well-paying but insignificant sales job at a Houston oil company gets sent to Northern Scotland to buy the land rights for an oil refinery, solely due to his Scottish-sounding name. His ancestors were actually from Hungary, but he goes anyway, with cryptic instructions from his eccentric boss (played by the ever-magnetic Burt Lancaster) to study the stars in search of a comet. In these expository scenes, Local Hero feels like a screwball farce - a swipe at the absurdity of the big business world and the disconnect between the people who occupy that world.
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Then our hero, MacIntire (Peter Riegert), goes to Scotland. The pace slows, and the mood becomes much more relaxed. For awhile, I found myself wondering when the plot would start moving along. But it doesn't. Forsyth gives us shot upon shot of beautiful coastal scenery - blue skies, bluer seas, black rocks, green hills, tan sands, and purple sunsets. MacIntire's interactions with the villagers, an insular and guarded lot, are initially awkward in a quietly amusing way. But after, he begins to blend in with them. And in turn, the tone of their interactions change. Soon it becomes clear that what started as a simple business trip has turned into something else entirely. MacIntire has discovered a new way of life.
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Local Hero is a film which takes its time and covers a lot of ground. It's a film that starts fast, slows down considerably, and comes back to surprise time and time again - not least with its abrupt and moving conclusion. With the beautiful location cinematography, director Bill Forsyth paid tribute to his native Scotland, and made a masterful study of the difference between American and Scottish attitudes and social behavior. And going one step further, he created a profound meditation on the old adage that "the grass is always greener on the other side" - and the fleeting call of opportunity that may come only once in a lifetime.
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